In Category: ‘chernobyl’

March 8, 2011 Chernobyl Night

In Chernobyl, the last thing you want to be doing is hiding from the authorities in the dark.

And yet I somehow found myself doing just that, begging my heart to stop beating, wondering if this was some sort of awesome spy movie.

I sure didn’t feel awesome.

1209393586 y2FFQ XL Chernobyl Night

Earlier that evening, I stood by the bed pulling things out of my backpack. We were going for a stroll in town and some divine foresight was nudging me to bring just my camera and to leave my wallet and bag in the room. I threw the strap over my head, stuffed a few hryvnia in my pocket and joined my friends outside.

Traveling lightly has its virtues.

Chernobyl-town is one of those rare grownup places with an actual curfew. Whether it was for safety or because the military doesn’t want to waste electricity (or manpower), I don’t know. We weren’t supposed to be out, so we strode through the night, flashlights off until we were well away from the occupied part of town.

In such silence is an element of unease.

The moon battled with the clouds, revealing dark, mud-filled holes in a road that was sometimes little more than a deer path. The forest reached high on both sides hiding who-knows-what, wild animals and a few stunted houses.

Finally, Arek switched on his diving lamp as we turned down another nameless road. He seemed to have a specific place in mind, but he didn’t say a word until we reached a row of bigger buildings. With my eyes finally adjusting to the dark, I could see the world painted in silver and blue like a child’s illustration, complete with insanely tangled trees and regular square shapes.

These houses were vacuous holes in the moonlight. The first one we entered had been abandoned for at least twenty years and vandalized long before any of us had ever considered coming to the Ukraine. Sweeping the flashlight across the foyer I could see the house was a fair size by American standards, which seemed odd considering the modest accommodations you see elsewhere in the Zone. There were four doorways, each leading away from the hall.

I realized then that this was not a single home, but a collection of tiny apartments.

There was nothing left here but for the occasional torn poster I could not read. Like everywhere else in the Zone, there’s a distinct edge of shock seeing the level of disrespect shown to the old life; The brick walls had actually been forcefully ruptured, as if some trigger-happy treasure hunter came through with a sledgehammer.

But you’d be hard-pressed to believe that someone living in these closets would have had much worth looting.

The familiar feeling started rising in my gut. I’d been feeling it so much recently, that wretched combination of guilt and sadness for a life that never had a choice and was swept clean away. No more. I followed the guys back outside.

Suddenly, beyond the trees was a flash of a light and the unmistakeable crunch of boots. I froze. Panicking, I watched my companions scatter in different directions. The moon was behind a cloud so I could barely see the trees we had just walked through, but I took an educated guess and dove behind what I hoped was the largest one. Traitorous branches cracked under my clumsy feet, drowning everything out for a heart-stopping second.

Everything was a little wet and a lot cold. There I crouched, ducking my chin as far as I could into my chest and turning my face away from the noise. Moonlight on my skin would be as bright as lamplight and I could take no chances.

What would happen to a foreigner caught breaking the law in a unstable nuclear zone? The possibilities flash behind my eyelids, none of them good. I’d had some experience with this type of fear on the train just days before, but that was a cakewalk compared to this. On the train I was breaking no law, my conscience was clean.

But here I was defying curfew on a military base holding a big honkin’ camera, dressed in black with no ID. Convenient, eh?

I was a rabbit cornered by the fox. I knew he was there, just around the corner and my last hope was to be ignored. Oh to be ignored! This was no child’s game of hide-and-seek. This was the real thing, and being tracked by the law was not at all romantic to an otherwise model citizen like me. My heart was so loud I knew they could hear me, and I had an absurd moment of perfect literary clarity. Time seemed to slow.

The footsteps grew closer… closer… I would not open my eyes and risk my face in even the dimmest moonlight to see what was there. They came too close, just across the way. I don’t pray, but I prayed that the wild tangle of trees and underbrush concealed any hint of my existence. The woods are huge — Surely my outline is no different than that of the other boulders on the earth!

My heart, pounding ever faster, demanded oxygen and I fought against drawing breath in one, loud, explosive gasp. The gravel stopped crunching less than ten feet away, precisely on the other side of my tree. He was listening, my fox, listening to the air.

How does he know? How did he know?!? My temples felt about to burst. Do I know enough Ukrainian to understand “Come out, now”? Is that in the phrasebook I didn’t bring?

Instead he said:

” …. Hello?”

It was Matt.

With that, I retrieved my dignity, air and my gear and we continued on our way.

I would wait for a later time, a much later day to think about how I had missed the retreat of the original patrol… and how the hell my companion had figured out where to find me.

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December 1, 2010 Ten Months Dreaming

Edited to add: SmugMug has let me post about how this was made.

I will never lose the impression Chernobyl has made on me, although this may be the last time I create something from that place. This one was particularly meaningful because each clip brought back memories, motions and snippets of conversation.

This project was so long in the making, I cannot quite reach back to think about how the idea began. Ten months dreaming, four days shooting, three weeks editing. All distilled into three and a half little minutes.

I hope that those of you who weren’t there find this one as enjoyable as it is to those who were.

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1080046554 vxWuL XL From the Notebook: On trains

From 7,000 miles away, European trains are romantic. It’s adventure: A giant steel wyrm uncoiling under the moonlight, snaking between the wild mountains of eastern Ukraine. Folklore and myth lurk in the shadows of the forests, all while the passengers lay swaddled and asleep in their gently-swaying carriages.

… It was not at all like that.

Keleti station in Budapest could be a lovely building. For me, it was ominous and dark, a place I only ever saw after nightfall. The dim orange lights are unflattering, adding a squalid miasma to a gothic building already muddled in smoke.

Our train rolled in at Track 6 a half hour before scheduled. It looked like a ghost train, square and old with antique white letters peeling off the sides in Russian, German and French. There is absolutely nothing high-tech about this train.

We had found the polar opposite of DB.
No one got off, but suddenly everyone was trying to get on.

Outside, it’s a full moon over Hungary. It only just touches the open plains, illuminating large patches of marshy water and the regular, highly polished rails in the tracks beside us. A few strings of orange lights blink in the distance but they look far away and lack promise. It’s rural and wild out there, a place of vast unknown.

Inside, it’s hot and still. I can feel heat radiating from the pipes under the window, probably welcome in a Moscow winter but unwelcome as I sweat in my tank top. Instead, I press my bare arms agains the cold metal sill and ignore the warmth at my feet.

—-

The train creaks and thumps and clanks and sways through Hungary, a country stained blue by the moon. I can’t sleep; Every light from a passing station, every bump and screech jolts me awake. We’re going fast, though, so fast I wonder why this trip takes over a day to complete.

Finally a conductor opens our door to say “Customs.” He disappears as we sit up, leaving us to infer that he wasn’t checking, just warning. Indeed within minutes the train stops again, slowing past a man with a flashlight.. checking for stowaways, perhaps. This stop is much longer. People are walking outside in the dark, blending with reflections in the glass. Under and around we feel thumps and bangs and hear orders shouted out. I do not know if they are searching the train or readying it for the new gauge of track. I do feel like a rabbit being hunted even though I have nothing to hide.

The border guard appears at our door, a very stern, slender man in uniform with deep eyes and impressive cheekbones. Wordlessly he asks for our passports. He wears some sort of box hanging from a shoulder strap and he is able to simply press my passport to a rectangular indentation in the side, which reads it. He’s an expert at rapidly paging through the visa stamps and finally adds one of his own. The seal looks like many of the others from Europe but has an “H” in the stars and a locomotive in the corner.

—-

The thumping under the train has stopped and I wonder what’s next. It’s so quiet here now, no sounds from the other passengers.

—-

Another stop shortly over the river. Chop (Чоп) is an ominous name for a town, indicative of what is to come. As I press my cupped hands to the window I see several people in military garb emerge from the station. They boarded the train and have, I presume, entered separate cars. The first man absconded with our passports, which sets my nerves ringing.

Through the outside door comes the insistent blip of a sonar or radar machine. I am so tired but the tension chokes me. I feel closer to understanding what it’s like to be in hiding, pursued by authorities beyond our control. Without understanding a word, I feel guilty and afraid. This is how to develop a cheerless country.
A rough, heavy old man blocks the light coming through the door and questions us in rudimentary English why we are here. I’m a prisoner, cornered in my cell with no place to go. He makes us fold away the beds and open our bags, but to my relief it’s only a cursory inspection. He leaves and I am left feeling violated.

Meanwhile our train is banging, clanging and shifting. We lurch four feet in one direction and then the other. In the dark I can just make out four-legged cranes rolling on the tracks and arching above us like steampunk spiders. It looks and sounds like we are being eaten by an enormous mechanical dragon, a feeling amplified by the obscurity of the situation.

I’m fighting a pounding headache aggravated by smoke and we still don’t have our passports. With the discomfort and worry, it’s impossible to sleep. As if to add insult to injury, our neighbor is snoring.

Time crawled slowly through the rocking, clanking, jolting, shunting (how many adjectives can you have for a Soviet train?). Border guards came to return our passports with as much warmth and consideration as before, and it was almost worth the scare. What a great stamp!

—-

With that I lay down. Even with two layers of padding the lower bunk is very hard; if not aggravating one bruise, it created another. The train stopped many more times in the night, sometimes rousing me to a slightly more conscious state but I remember little but black shadows and white snow. The Carpathian Mountains. When I sat up again the clouds were stained pink with sunrise, and the hills were green and low. Best of all the full moon still hung in the air between the hilltops, ready to float away.

When the train turned a corner, it was a surprise to see how long it was — suddenly the act of moving the train to new wheels was much more impressive and real. Curiously, our car which was formerly the last in line was now the first. Somehow they have turned our world inside-out and upside-down! The idea of having so many people on this journey is unreal, as we are so isolated in our compartment.

—-
The neighboring room contains a young mother with straight, dark hair and a little girl who must be 4 years old. I know her gender not by her haircut or clothing, but from the doll she clutches to her chest. She cries when her mother leaves to use the bathroom but otherwise is all laughs and incomprehensible jabber through the thin walls. But she is shy and the suspicious, guarded expression under her bangs belies her young age. I think there must be two girls next door: the one I see and the one I hear.

She is the last child I would see for a week. Once we reach Київ we disembark into a world of old men, vodka and rust.

1080053078 eUC8c XL From the Notebook: On trains

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November 2, 2010 Liquidation

Say one word, “Chernobyl,” and you’ll get one of two polarized responses:

  1. Why?
  2. Wow.

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No matter what they say in public, nearly everyone has a interest they do not want to admit. Morbid curiosity and a secret fascination to the radioactive wasteland, a town locked in time.

Me, too.

I let my breath out after the third (and last) checkpoint, thankful that our paperwork was all in order. Military personnel in the Exclusion Zone have a certain hard, cutting look to them that unmistakably marks them for what they are. Even if their drab camo uniform and official arm badges were somehow overlooked.

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The trees really do obscure every surface and nature is slowly eating away at the evacuated town of Pripyat. Through the windows of our vehicle I could see just one white hammer and sickle floating high above our heads. An ancient lamp post decoration. I was to learn later that it was probably the only emblem of the sort that remains in town due to its proximity to the guards. Everything else bearing the implications of Soviet rule has been looted, scrapped or sold.

I’m not new to this. I’ve spent the majority of my 20s doing questionable things in questionable buildings, stepping carefully across squishy floors and ascending swaying ladders. I thought this would be the grandaddy of all explorations, a testament to all the things I’ve learned over the years. I thought I would be ecstatic and high on the treasure trove of opportunities once we passed that last gate.

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And I stood there, feeling confused and empty and slightly guilty. I dedicated a lot of time to prepare for this trip and backpacked halfway across Europe to be there now. Selfish, I thought, So many people would give everything they had to have this chance. What’s wrong? Out came my camera and I begun to go through the motions, but something wasn’t right.

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Where are the people? Where have they gone? I know this answer, but I was not asking the obvious question. The buildings of Pripyat have stood empty for almost 30 years and the 50,000 residents were evacuated just days after the explosion. But as the stories go, they left everything behind, not expecting to be gone for more than a few days.

In that time, countless others have passed through these same spots, looting, stealing, breaking and displacing. Reactor 4 was the greatest elephant in the room, but it was those faceless individuals who erased the memory of those people from this town.

No wonder I felt cheap. There is no one left here, and I understood at this late hour that I was here looking for the people the whole time, not the buildings. A building is a building no matter what letters are written on the walls; it’s always the same. And at that moment things got better.

There may be little left to indicate the people who lived here, people who laughed and smoked and swam and learned to read, write and sing songs about the great Soviet leaders. But I did the best that I could to make sure that even this far away from their existence, they would not be forgotten. At least to me.

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At the same time we craft our own memories in the tracks of the rich, black earth. We have to capture those moments too before the trail grows cold.

See it all: Chernobyl, Pripyat and Polish boot camp.

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November 1, 2010 Home

Home. Home, sweet home. My mind is aswirl with the events, sights and conversations of the last 3 weeks, but I would never trade any of that for anything.

So many chances, so many choices, so many good people.

My mind has not yet clicked back to being home. In America. We’ve been constantly moving for almost 3 weeks, traveling from country to country and crossing borders where the language (and the customs) change in the span of hours. My internal chatter has become a creole of French, German and Ukrainian, and at the Safeway when someone hands me my bag, I don’t know how to say a simple “Thank you.” I am confused by my own customs, not yet aware that I can let down that guard, I can stop thinking “I’m an alien” because I am not. I am home. I am here.

California welcomes us back with open arms. It’s Halloween, but the leaves are still green and the sun shines down from pure cerulean skies. Coming from a land with few women and no children, it’s sweet to hear the giggles of the young in silly costumes, even nicer to hear them bicker about candy as they rap on our door.

After three weeks of rain, clouds and cold, wearing the same three shirts rough with handwashing in all-purpose soap, it’s luxury to pull on soft, faded jeans and impractical (but cute) boots. I’ve suffered too long being a practical, dumpy traveler with the backpack. Now I am me. I love style and fashion and footwear just like the next girl, really.

I’ll page through my photos and muse the coming movie project. If I’m lucky, I’ll go through my now-battered travel journal and pull from it the snippets of conversation and memory that I recorded at cafes far, far away.

I did everything I could to keep the moments fresh in words, pictures and sound. Let’s see what becomes of them.

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September 16, 2010 Leaden Skies, Leaden Soles

As the days count down to October, my anticipation scatters and swirls like the dead leaves of autumn. There are no seasons here, only clear blue skies and golden sun, but even in our temperate climate the days are getting shorter with each step.

The last week has been a hailstorm of changing dates, dollar signs, flight numbers, Cyrillic letters and Ukrainian hryvnia.

In less than one month we will be bound for Europe to visit friends, our found family – and if we’re lucky real family, too. And we will tread on the poisoned earth, see, hear, and speak with relics of a terrifying, sorrowful past. I’ll know what the pictures cannot show, hear the silence of emptiness and obfuscation, and witness rebirth and faith with my own senses.

I will never understand the compulsion to stay within one’s boundaries and fear exploring outside of that box. And I will never understand those who scorn or pity those of us who do.

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